Recent
Harpur Palate: “Search History Sad” (Winner of the Milton Kessler Memorial Prize)
Sycamore Review: “The Brides of Dracula File for Divorce” and “Hafgufa, Mother of All Sea Monsters”
Salamander: “West Coast Sad” and “East Coast Sad“
Bennington Review: “The Book of Giants”
2019
Raleigh Review: “Iguana Iguana” (Winner of 2019 Laux/Millar Prize.)
32 Poems: “Voice of the Woods on Fire”
Up the Staircase Quarterly: “Bigfoot Gets Nostalgic” and “Demonology”
Zone 3 : “Choose Your Own Divinity” and “You Could Go up to the Kingdom”
Copper Nickel : “My Name Means Girl”
Denver Quarterly: “Supermassive” and “Message to Earth”
Passages North : “All My Exes Live in This Poem” and “Not the Fly but the Amber”
Hayden’s Ferry Review : “Cult of the Deer Goddess” (Reprinted on Poets.org.)
Pleiades: “Cedar Key”
2018
Cimarron Review : “After Hearing the Male Comic Argue That Equality for Women Means Taking a Punch” and “The Hawk”
The Greensboro Review : “The Pope Lick Monster Prepares His Defense”
Colorado Review: “Examination: Mothership”
Washington Square Review : “For My Twenty-Year-Old Sister on My Thirtieth Birthday”
Fairy Tale Review Online: “Bigfoot Thumbs a Ride” and “Animal Bride”
Western Humanities Review: “Marriage“
Hot Metal Bridge: “Better Homes and Gardens”
Southeast Review: “Bigfoot at Siesta Beach,” “Lake Monster Family Reunion,” “The God of Hidden Creatures,” “The Beasts of Gévaudan in Love”
2017
The Pinch: “Crosscut,” “Minthe,” and “Goat Things”
Third Coast: “Michelle Pfeiffer Is Making Something of a Comeback”
The Baltimore Review: “Bigfoot to Her Daughter” (Winner of The Baltimore Review‘s 2017 Summer Contest)
Redivider: “To Whoever Discovers the Remnants of Earth
Four Way Review 11: “Time Sure Flies When You’re Not Living Up to Your Potential” and “Lightning Suspected in Deaths of Horses”
New England Review 38.1: “Cassiopeia”
Pacifica Literary Review #9: “Riverine”
2016
The Louisville Review 80: “I Don’t Know What People Should Do,” Winner of the Louisville Literary Arts Association’s 2016 Writer’s Block Festival Poetry Prize
Salt Hill 37: “A Pilgrim Is a Foreigner” and “Like Kanye Rapping About Kanye Rapping About Kanye”
Salamander 42″ “Ricochet”
Ninth Letter Spring 2016: Uncertainty Principle I, Uncertainty Principle II, Uncertainty Principle III, Uncertainty Principle IV, Uncertainty Principle V
Puerto del Sol 51.2: “Actually, I’m Going to Keep It All,” and “Maze”
Whiskey Island: “G-Spot vs. Moon Landing,” and “Fretted Note”
The Journal Issue 40.1: “Caveat,” and “Husbandry”
Vinyl Poetry, Poem of the Week 2/28/16: “Fold”
Portland Review Winter 2016: “Friends Long Absent Are Coming Back to You”
New South 9.1: “Questing”
2015
Phantom Limb 14 : Poems from Inside My Electric City
NightBlock 7 : “Not Penelope, Although Unraveling”
Bat City Review 11 : “Poem with Susan Sarandon” and “Poem with Geena Davis”
Blue Earth Review 14 :”Turning”
Fugue 48 : “Despot”
Willow Springs 76 :”Chain” and “Year of Coming Close”
Crazyhorse 87 : “Passage” (Reprinted in Verse Daily.)
Ghost Town, Issue 7 :”I Am Not a Dream” and “The Wildings”
Tinderbox Poetry Journal, Vol. 1 Issue 3 : “Mechanism” and “Window”
2014
Yemassee 21.2 : “Say Uncle”
Permafrost 36.2 : “I Have Chosen a Guilt I Can Live With” and “My Tree Line Is Militant, but Deserted”
The Boiler, Summer 2014 : “Interior Landscape,” “The Mine Fire Speaks,” and “Valentine’s Day, 1981”
alice blue review 23 : “[we all feel the curse of your interpretations}” “[How much saliva]” and “[As though I’m experiencing a debt]”
2013
Thin Air Magazine, volume 19 : “I Could Tell You Again”
2012
Sixth Finch, Fall 2012 : “yes there’s just something about spring”
Phoebe 41.1, Spring 2012 : “Blank Faces”
2011
Sixth Finch, Summer 2011 : “Waste”
Caylin Capra-Thomas 